American Klezmer: Its Roots and Offshoots Edited by Mark Slobin
“Klezmer,” the Yiddish word for folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States from Eastern Europe. Although it had declined in popularity by the middle of the 20th Century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad on the world music and heritage music scenes and as an accompaniment to Jewish celebrations. These essays investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributor include every available authority on the subject - from academics to leading musicians - and they offer a wide range of perspectives on klezmer’s musical, social, and cultural history. Together, they demonstrate the full scope of interest today in a dynamic and distinctive music.
Paperback, NEW, some corner dings from shelf wear
2002, University of California Press
“Klezmer,” the Yiddish word for folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States from Eastern Europe. Although it had declined in popularity by the middle of the 20th Century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad on the world music and heritage music scenes and as an accompaniment to Jewish celebrations. These essays investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributor include every available authority on the subject - from academics to leading musicians - and they offer a wide range of perspectives on klezmer’s musical, social, and cultural history. Together, they demonstrate the full scope of interest today in a dynamic and distinctive music.
Paperback, NEW, some corner dings from shelf wear
2002, University of California Press
“Klezmer,” the Yiddish word for folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States from Eastern Europe. Although it had declined in popularity by the middle of the 20th Century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad on the world music and heritage music scenes and as an accompaniment to Jewish celebrations. These essays investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributor include every available authority on the subject - from academics to leading musicians - and they offer a wide range of perspectives on klezmer’s musical, social, and cultural history. Together, they demonstrate the full scope of interest today in a dynamic and distinctive music.
Paperback, NEW, some corner dings from shelf wear
2002, University of California Press
